Details
Charles Crichton
British Film-Makers
|
134,99 € |
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| Verlag: | Manchester University Press |
| Format: | EPUB |
| Veröffentl.: | 29.06.2021 |
| ISBN/EAN: | 9781526149947 |
| Sprache: | englisch |
| Anzahl Seiten: | 288 |
DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.
Beschreibungen
Charles Crichton is perhaps best remembered as the director of the unlikely blockbuster hit
<i>A Fish Called Wanda</i>, made when he was seventy-seven years old. But the most significant part of his career was spent at Ealing Studios in the 1940s and 1950s, working on such beloved comedies as
<i>Hue and Cry</i>,
<i>The Lavender Hill Mob</i> and
<i>The Titfield Thunderbolt</i>. Nonetheless, as this pioneering study of Crichton’s work reveals, his filmmaking skills extended way beyond comedy to wartime dramas and
<i>film noir</i>, and his adaptability served him well when he made the transition into primetime television, working on popular shows such as
<i>The Avengers</i>,
<i>Space: 1999</i> and
<i>The Adventures of Black Beauty</i>. Featuring first-hand testimony from colleagues ranging from Dame Judi Dench and Petula Clark to John Cleese and Sir Michael Palin, this riveting account of Crichton’s fascinating life in film will appeal to film scholars and general readers alike.
<i>A Fish Called Wanda</i>, made when he was seventy-seven years old. But the most significant part of his career was spent at Ealing Studios in the 1940s and 1950s, working on such beloved comedies as
<i>Hue and Cry</i>,
<i>The Lavender Hill Mob</i> and
<i>The Titfield Thunderbolt</i>. Nonetheless, as this pioneering study of Crichton’s work reveals, his filmmaking skills extended way beyond comedy to wartime dramas and
<i>film noir</i>, and his adaptability served him well when he made the transition into primetime television, working on popular shows such as
<i>The Avengers</i>,
<i>Space: 1999</i> and
<i>The Adventures of Black Beauty</i>. Featuring first-hand testimony from colleagues ranging from Dame Judi Dench and Petula Clark to John Cleese and Sir Michael Palin, this riveting account of Crichton’s fascinating life in film will appeal to film scholars and general readers alike.
Charles Crichton, director of
<i>A Fish Called Wanda </i>and several much-loved Ealing comedies, had one of the most remarkable careers in British film history. Featuring interviews with colleagues such as Dame Judi Dench, Petula Clark, John Cleese and Sir Michael Palin, this book provides the first comprehensive study of his work.
<i>A Fish Called Wanda </i>and several much-loved Ealing comedies, had one of the most remarkable careers in British film history. Featuring interviews with colleagues such as Dame Judi Dench, Petula Clark, John Cleese and Sir Michael Palin, this book provides the first comprehensive study of his work.
Introduction 1 Cutting for Korda: 1932–35 2 Cutting for Korda: 1936–40 3 The forties: Enter Ealing, 1940–45 4 The forties: 1946–49 5 The fifties: 1950–54 6 The fifties: Exit Ealing, 1954–59 7 The sixties: 1960–64 8 The sixties: 1965–69 9 The seventies: Downsizing 10 The eighties: Ealing Regained Index
Quentin Falk is an author, critic and former editor of
<i>Screen International</i> and
<i>Academy</i>, the BAFTA journal. He has published numerous books, among them studies of Anthony Hopkins, Albert Finney and Alfred Hitchcock.
<i>Screen International</i> and
<i>Academy</i>, the BAFTA journal. He has published numerous books, among them studies of Anthony Hopkins, Albert Finney and Alfred Hitchcock.
The career of Charles Crichton is one of the most remarkable in British film history. Starting as an editor for Alexander Korda in the 1930s, he went on to direct several much-loved Ealing comedies, including
<i>The Lavender Hill Mob </i>and
<i>The Titfield Thunderbolt</i>, before moving into television work in the 1960s. At the age of seventy-seven he made a sensational return to film with
<i>A Fish Called Wanda</i>, an international box-office hit that was nominated for multiple Academy Awards. This is the first book to offer a full account of Crichton’s career, which spanned most of the twentieth century and can be seen as a microcosm of the British film industry itself. It shows that, rather than being an out-and-out comedy director, Crichton was a tremendously versatile filmmaker, whose skills extended to wartime dramas and
<i>film noir</i>. This adaptability was to serve him well when the British film industry began to falter in the 1950s, allowing him to make a smooth transition into primetime television, where he worked on such popular shows as
<i>The Avengers</i>,
<i>Space: 1999</i> and
<i>The Adventures of Black Beauty</i>. The unlikely success of
<i>A Fish Called Wanda</i>, which Crichton co-wrote with John Cleese, brought him briefly back into the limelight, but he continued working to the end, filming corporate videos for Cleese’s Video Arts company and helping to develop a screen version of Noël Coward’s
<i>Hay Fever</i>. Featuring first-hand testimony from colleagues ranging from Dame Judi Dench and Petula Clark to John Cleese and Sir Michael Palin, this riveting account of Crichton’s fascinating life in film will appeal to film scholars and general readers alike.
<i>The Lavender Hill Mob </i>and
<i>The Titfield Thunderbolt</i>, before moving into television work in the 1960s. At the age of seventy-seven he made a sensational return to film with
<i>A Fish Called Wanda</i>, an international box-office hit that was nominated for multiple Academy Awards. This is the first book to offer a full account of Crichton’s career, which spanned most of the twentieth century and can be seen as a microcosm of the British film industry itself. It shows that, rather than being an out-and-out comedy director, Crichton was a tremendously versatile filmmaker, whose skills extended to wartime dramas and
<i>film noir</i>. This adaptability was to serve him well when the British film industry began to falter in the 1950s, allowing him to make a smooth transition into primetime television, where he worked on such popular shows as
<i>The Avengers</i>,
<i>Space: 1999</i> and
<i>The Adventures of Black Beauty</i>. The unlikely success of
<i>A Fish Called Wanda</i>, which Crichton co-wrote with John Cleese, brought him briefly back into the limelight, but he continued working to the end, filming corporate videos for Cleese’s Video Arts company and helping to develop a screen version of Noël Coward’s
<i>Hay Fever</i>. Featuring first-hand testimony from colleagues ranging from Dame Judi Dench and Petula Clark to John Cleese and Sir Michael Palin, this riveting account of Crichton’s fascinating life in film will appeal to film scholars and general readers alike.
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