Cover Page

Women in Classical Antiquity

From Birth to Death


Laura K. McClure










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For my parents

List of Figures

Figure 1.1Fragment of Sappho.
Figure 2.1Minoan fresco.
Figure 2.2Warrior vase from Mycenae.
Figure 2.3Dipylon amphora.
Figure 2.4Female aulos‐player on Attic red‐figure kylix.
Figure 3.1Diagram of the House of Many Colors.
Figure 3.2Women working wool on black‐figure lekythos.
Figure 3.3Illustration of four Greek vase types.
Figure 3.4Little girl with pet bird on Attic funerary stele.
Figure 3.5Children at play on Attic red‐figure chous.
Figure 3.6Young girl mourning with older women on Attic red‐figure loutrophoros.
Figure 4.1Statue of Phrasiclea.
Figure 4.2Maiden chorus on Attic white‐ground phiale.
Figure 4.3Girl leading sacrificial procession on Attic red‐figure volute krater.
Figure 4.4Return of Persephone on Attic red‐figure bell‐krater.
Figure 4.5Wedding scene on Attic red‐figure loutrophoros.
Figure 5.1Birth of Aphrodite, central panel of the Ludovisi throne.
Figure 5.2Penelope at her loom on Attic red‐figure skyphos.
Figure 5.3Grave relief of Mnesarete.
Figure 5.4Woman after giving birth, marble votive stele.
Figure 5.5Mother and infant son on Attic red‐figure hydria.
Figure 6.1Paris leading Helen away on Attic red‐figure skyphos.
Figure 6.2Naked woman spinning wool on Attic red‐figure hydria.
Figure 6.3Female entertainer and her male companion on Attic red‐figure kylix.
Figure 7.1Priestess of Apollo on Attic red‐figure kylix.
Figure 7.2Woman tending phallus garden on Attic red‐figure pelike.
Figure 7.3Female mourners, black‐figure terracotta funerary plaque.
Figure 7.4Women carrying offerings to the grave on white‐ground lekythos.
Figure 8.1Cnidian Aphrodite.
Figure 8.2Portrait of Arsinoe II on gold octadrachm.
Figure 8.3Portrait of Arsinoe II on faience oenochoe.
Figure 8.4Portrait of Berenice II on floor mosaic.
Figure 9.1Banquet scene, Tomb of the Leopards.
Figure 9.2Roman mosaic depicting Romulus and Remus.
Figure 9.3South panel, Arch of Titus.
Figure 9.4Interior view, Colosseum.
Figure 9.5Roman silver denarius coin with Julius Caesar and Venus.
Figure 10.1Lararium from the house of the Vettii.
Figure 10.2Detail of the south frieze of the Ara Pacis.
Figure 10.3Ivory doll from the sarcophagus of Crepereia Tryphaena.
Figure 10.4Two girls, one holding a stylus and tablet, Roman wall painting.
Figure 11.1Two seated women, fragment of a Roman wall painting.
Figure 11.2Mosaic of girls playing ball.
Figure 11.3Three women at their toilette, Roman wall painting.
Figure 11.4Young woman holding a stylus and tablet.
Figure 11.5Young couple on their wedding night, Roman wall painting, left panel.
Figure 12.1Detail of the south frieze of the Ara Pacis.
Figure 12.2Portrait bust of Livia Drusilla.
Figure 12.3Midwife assisting with childbirth, marble relief.
Figure 12.4Danaë nursing the infant Perseus, Roman wall painting.
Figure 13.1Young couple on their wedding night, Roman wall painting, right panel.
Figure 13.2Sex with female on top, panel from the Suburban Baths.
Figure 13.3View of the Lupanar, Pompeii.
Figure 14.1Color lithograph of the statue of Eumachia.
Figure 14.2Brick from the estate of Domitia Lucilla.
Figure 14.3Relief depicting a Vestal Virgin.
Figure 14.4Detail of a wall painting from the Villa of the Mysteries, Pompeii.

List of Charts

Chart 2.1The Greek and Roman Gods.
Chart 8.1Family Tree of the Early Ptolemies.
Chart 10.1Family Tree of the Julio‐Claudians.

List of Boxes

Box 1.1A Poem’s Journey from Antiquity to Modernity
Box 2.1The Myth of Matriarchy
Box 3.1Athenian Vases
Box 4.1Athenian Drama
Box 5.1Ancient Cosmetics
Box 6.1Women and Love Magic
Box 7.1Warrior Women
Box 8.1Ancient Faces
Box 9.1Etruscan Women
Box 10.1Roman Dolls
Box 11.1Roman Wall Painting
Box 12.1Hair and the Matrona
Box 13.1Sex and the Suburban Baths
Box 14.1Cleopatra VII

Preface

It has been almost three decades since a new textbook on women in classical antiquity has appeared. Since then, much has changed in the field. New areas of inquiry, new discoveries, new critical approaches, new technologies, and new research have radically modified and expanded what we know about the lives of women in the ancient world and how we understand their representation. This book is an attempt not only to communicate these advances to a general audience but also to convey just how rapidly and dynamically our view of the classical past is evolving. At the same time, it must be acknowledged at the outset that it is impossible to do justice to this escalating body of scholarship and the countless primary sources, many fragmentary or obscure, on which they rely in just one book. Instead, in what follows, I aim to isolate key texts and objects, events and concepts that best represent important ancient Greek and Roman perspectives on women and gender. What makes this book unique, however, is its focus on the life course. This approach not only helps to organize a complex body of evidence by means of an overarching narrative, it also shows how the source materials tend to engage with women and gender at moments critical to formulating social identity, such as birth, adolescence, marriage, childbirth, and death.

Throughout I have tried to strike a balance between a chronological and topical methodology. The book begins with the assumption that readers are unfamiliar with ancient Greek and Roman history and cultural institutions. To provide this necessary context, the book is divided into three chronological periods: Part I: Greece; Interlude: The Hellenistic World; and Part II: Rome. Each part begins with a brief overview of historical events, values, and institutions critical for understanding male identity to lay the foundation for the consideration of women and gender in subsequent chapters. The introduction to ancient Greece examines the rise of the polis during the archaic period and then considers the events and ideas that shaped classical Athens and masculine ideals of heroism, citizenship, and self‐control. The Roman chapter explores the foundation of the Republic, the expansion of Roman power throughout the Italian peninsula and beyond, the collapse of the Republic and the foundation of the Empire. It further examines how the Romans constructed male identity around notions of military courage, political ambition, and family lineage. Although the book attempts to integrate material and visual elements in the form of painting, sculpture, architecture, numismatics and inscriptions, the primary focus remains throughout on literary representations of women and gender.

Because the life cycle begins with birth, Chapters 3 and 10 explore the incorporation of the female infant into the family and household and the ways she acquired the gendered characteristics necessary for adulthood. Chapters 4 and 11 examine female adolescence, including concerns about virginity, medical views of the female body, religious roles, and education, culminating with reconstructions of the wedding ceremony. Ancient views of marriage and motherhood, as exemplified by virtuous wives, form the subject of Chapters 5 and 12. Deviations from this norm, typically expressed by female sexual activity outside of marriage in the form of adultery and prostitution, are considered in Chapters 6 and 13. The last chapter of each section examines evidence for women as figures of authority and the possibilities for female civic engagement, whether in the form of religious activity, as in Greece, or as benefactors and businesswomen in the Roman world. This structure has the advantage of allowing students to easily compare the situation of women across both cultures.

Each chapter begins by isolating a fundamental aspect of the life stage to be examined through the introduction of the deity who governs it, as with Greece, or through an exemplary female, as with Rome. Given divergences in source materials and cultural practices, corresponding Greek and Roman chapters do not always contain the same topics. For example, Chapter 10 discusses the education of Roman girls whereas Chapter 3 does not, because we do not have any reliable evidence of this practice among the Greeks. Boxes introduce students to methodological discussions, such as the types of evidence important for the study of women in classical antiquity, including Athenian vases and Roman wall painting. Others cover cultural institutions, such as the Greek theater or the Roman baths, and topics central to female life, including cosmetics, hairdressing, and dolls. Questions for review and reflection are given at the end of each chapter, along with a list of suggestions for further readings, both primary and secondary. The latter consists of a small selection of recent scholarly books and online resources accessible to students and useful for conducting undergraduate research. Many of these works have been indispensable to framing the discussion within their respective chapters. Pedagogical features such as timelines, maps, and charts are provided at the front of this book to help students navigate the ancient evidence and historical periods. Greek or Latin words introduced in each chapter appear in bold type and are also collected in a full glossary at the back of the book. Translations of the Greek and Latin text have been adapted from the Loeb Classical Library series.

The book has been designed for maximum flexibility in the classroom. It can be used alone as a general introduction to women and gender in the classical world, in support of a course on women in ancient art or similar topic, or in conjunction with a selection of primary sources. Individual chapters can also be used separately. For instance, those on the organization of the family and household might provide a useful introduction to a course on women in Greek or Roman literature in translation.

Acknowledgments

A great many people contributed to this book over the course of several years. I am grateful first to the Blackwell editorial team, and in particular, Haze Humbert, for encouraging this project at all stages. Anonymous referees read and commented on the manuscript over several stages. All of their suggestions for revision and expansion have been invaluable to shaping my progress on this book. At the University of Wisconsin, I am fortunate to be able to teach and work in a supportive and collegial environment. Thanks are owed to former chair Jeff Beneker for his steadfast encouragement and recognition of the research aspect of this project. My Latinist colleagues, Nandini Pandey, Grant Nelsestuen, and Alex Dressler, patiently endured my hallway conversations about all things Roman, answering questions, providing bibliography, and reading chapters. Credit is owed to Alex for the idea of using exemplarity to structure the Roman chapters. Lively conversations with Claire Taylor have helped me think about forms of women’s empowerment in classical Athens, particularly how they participated in social networks. Archeology colleagues Nicholas Cahill, William Aylward, and Mark Stansbury‐O’Donnell have been immensely generous with their knowledge of material culture and assistance with images. Beyond UW, conversations with Lin Foxhall, Kathryn Gutzwiller, Sharon James, Allison Keith, Andromache Karanika, Esther Eidinow, Lisa Maurizio, Melissa Mueller, Nancy Sultan, Angeliki Tzanetou, and Lisl Walsh have been a great source of knowledge, inspiration, and support. Many thanks to Machi, in particular, for organizing a Classical Association of the Middle West and South presidential panel, “Constructions of Girlhood in Greco‐Roman Antiquity,” in 2018, which grew directly out of research for this book. Graduate assistants, Amy Hendricks and Rebecca Moorman, combed the manuscript for errors and omissions during the revision and proofreading stages. Lastly, special thanks to Sandra Kerka for her expert help with copyediting.

Laura K. McClureMadison, Wisconsin
December 2018

Abbreviations

The abbreviations used here are mostly those used in the third edition of the Oxford Classical Dictionary.

General

BCE  Before Common Era, used in place of BC (“Before Christ”)
c. circa, “approximately”
CE Common Era, used in place of AD (Latin Anno Domini, “in the year of our Lord”)
Cf. confer, “compare”
e.g. exempli gratia, “for example”
fl. floruit, “s/he flourished,” the general period in which a person lived
Fr. Fragment (pl. Frr.)

Collections of Sources and Reference Works

AE L’Année Épigraphique, published in Revue Archéologique and separately (1888–)
CEG Carmina Epigraphica Graeca
CIL Corpus Inscriptionum Latinarum
CMG Corpus Medicorum Graecorum
IG Inscriptiones Graecae
P. Oxy  Oxyrhynchus Papyri
SEG Supplementum Epigraphicum Graecum
TLE Thesaurus Linguae Etruscae, a collection of Etruscan tomb inscriptions.
WO U. Wilcken (ed.), Griechische Ostraka aus Aegypten und Nubien (Leipzig and Berlin, 1899)

Greek and Roman Authors and Texts

Aesch. Aeschylus
Ag. Agamemnon
Cho. Choephori, “Libation Bearers”
Eum. Eumenides
Anth. Gr. Greek Anthology
Alc. Alcman
Ap. Rhod. Apollonius of Rhodes, Voyage of the Argo
App. Appian
B Civ. Civil Wars
Ar. Aristophanes
Ach. Acharnians
Eccl. Ecclesiazusae, “Women of the Ecclesia”
Lys. Lysistrata
Nub. Nubes, “Clouds”
Thesm. Thesmophoriazusae, “Women of the Thesmophoria”
Arch. Archilochus
Arist. Aristotle
Eth. Eud. Eudemian Ethics
Eth. Nic. Nichomachean Ethics
Gen. An. Generation of Animals
Pol. Politics
Rhet. Rhetoric
Ath. Athenaeus, Deipnosophistae, “Dining Sophists”
Aug. Augustus
RG Res Gestae, “The Deeds of Divine Augustus”
Aul. Gell. Aulus Gellius, Attic Nights
Catull. Catullus
Cic. Cicero
Att. Letters to Atticus
Brut. Brutus
Cael. In Defense of Caelius
Har. resp. On the Responses of the Haruspices
Mur. In Defense of Murena
Phil. Philippics
Tusc. Tusculan Disputations
Verr. Against Verres
Dem. Demosthenes
[Dem.] Pseudo‐Demosthenes
Dio Dio Cassius, Roman History
Dion. Hal. Dionysius of Halicarnassus
Ant. Rom. Roman Antiquities
Eur. Euripides
Alc. Alcestis
Andr. Andromache
Cap. Mel. Captive Melanippe
Hec. Hecuba
Hipp. Hippolytus
IA Iphigenia in Aulis
IT Iphigeneia in Tauris
Med. Medea
Pho. Phoenician Women
Tro. Trojan Women
Hdt. Herodotus
Hes. Hesiod
Op. Works and Days
Theog. Theogony
Herod. Herodas
Hippoc. Hippocrates
Mul. Diseases of Women
Nat. Puer On the Nature of the Child
Ster. On Infertility
Virg. On Virgins
Hom. Homer
Il. Iliad
Od. Odyssey
Hom. Hymn Aphr. Homeric Hymn to Aphrodite
Hom. Hymn. Dem. Homeric Hymn to Demeter
Hor. Horace
Carm. saec. Carmen Saeculare, “Secular Hymn”
Ep. Epistles
Juv. Juvenal
Luc. Lucian
Dial. Meretr. Dialogue of the Courtesans
Lys. Lysias
Macr. Macrobius
Sat. Saturnalia
Mart. Martial
Men. Menander
Per. Perikeiromene, “The Girl Who Gets Her Hair Cut Short”
Nep. Cornelius Nepos, On Famous Men
Ov. Ovid
Am. Amores
Ars Art of Love
Fast. Fasti
Met. Metamorphoses
Trist. Tristia
Pers. Persius
Pl. Plato
Tim. Timaeus
Plaut. Plautus
Amph. Amphitryo
Aul. Aulularia
Cas. Casina
Men. Menaechmi
Mil. Braggart Soldier
Plin. Pliny the Elder
NH Natural History
Plin. Pliny the Younger
Ep. Letters
Plut. Plutarch
Alex. Alexander
Ant. Antony
Caes. Caesar
Cic. Cicero
Lyc. Lycurgus
Mor. Moralia
Num. Numa
Pyrrh. Pyrrhus
Quaest. Rom. Roman Questions
Tib. Gracch. Tiberius Gracchus
Polyb. Polybius, Histories
Poseid. Poseidippus
Prop. Propertius
Sen. Seneca
Ben. On Benefits
Controv. Controversies
Helv. Consolation to Helvia
Sor. Gyn. Soranus, Gynecology
Soph. Sophocles
Ant. Antigone
Ter. Tereus
Trach. Trachiniae, “Women of Trachis”
Tac. Tacitus
Ann. Annals
Dial. Dialogue on Oratory
Thuc. Thucydides, Peloponnesian Wars
Theoc. Theocritus
Id. Idyll
Tib. Tibullus
Tyrt. Tyrtaeus
Val. Max. Valerius Maximus
Verg. Vergil
Aen. Aeneid
Ec. Eclogues
Vitr. Vitruvius, On Architecture
Xen. Xenophon
Hier. Hiero
Oec. Household Economy
Mem. Memorabilia
Symp. Symposium
Zonar. Zonaras

Timeline of the Classical World

This timeline is a very abbreviated overview intended to provide a historical context for the material in this book. Dates are often approximate, particularly for the Greek period, and follow established opinions. Only frequently mentioned authors have been included. Not all Roman emperors are listed.

Maps

Map of Greece displaying shaded areas and waveforms representing for land over 200 m and selected rivers, respectively. Dot markers marking Cythera, Gytheum, Sparta, Pylos, Megalopolis, etc. are also indicated.

Map 1 Greece and the Aegean.

Source: P.J. Rhodes, A History of the Classical Greek World, 2nd ed., Blackwell, 2011, p. xxiv.

Map of the Hellenistic Kingdoms displaying shaded areas for Black Sea, Mediterranean Sea, Red Sea, Arab-Persian Gulf, etc. and dot markers for Berenike, Thebes, Ptolemais, Siwa, Memphis, Alexandria, Gaza, etc.

Map 2 The Hellenistic Kingdoms.

Source: A History of the Hellenistic World, Blackwell, 2008, p. xv.

Map of Italy and the Islands displaying a big dot marker for Rome and small dot markers for Alalia/Aleria, Cosa, Cumae, Puteoli, Naples, Ariminum, Fanum, Sena Gallica, Larinum, Velia, Grumentum, Thurii, Heraclea, etc.

Map 3 Italy and the Islands.

Source: B. Mineo (ed.), A Companion to Livy, Blackwell, 2015, xiv.

Map of the city of Rome marking Oppius, FORUM, Viminal, etc. and depicting box markers labeled Temples (Largo Argentino) (1), Villa Publica (2), T. of Apollo (3), T. of Bellona (4), T. of Juno (5), Curia (6), etc.

Map 4 City of Rome (Second to Third centuries CE).

Source: B. Mineo (ed.), A Companion to Livy, Blackwell, 2015, xii.

Map of the Roman Empire in the Time of Augustus depicting shaded areas and dot markers for Carthago Nova, Tarraco, Gades, Cordoba, Italica, Massilia, Morgantina, Syracuse, Tarentum, Apollonia, Pompeii, etc.

Map 5 The Roman Empire in the Time of Augustus.

Source: A. Erskine (ed.), A Companion to Ancient History, Blackwell, 2009, p. xxxvii.


Introduction