Details
Song and Social Change in Latin America
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48,99 € |
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| Verlag: | Lexington Books |
| Format: | EPUB |
| Veröffentl.: | 04.04.2013 |
| ISBN/EAN: | 9780739179499 |
| Sprache: | englisch |
| Anzahl Seiten: | 270 |
DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.
Beschreibungen
<span><span><span>Song & Social Change in Latin America</span><span> offers seven essays from a diverse group of scholars on the topic of music as a reflection of the many social-political upheavals throughout Latin America from the 20</span><sup><span>th</span></sup><span> century to the present. Topics covered include: the Tropicália movement in Brazil, the Nueva Canción in Central America, Rock in Mexico, Argentina, Chile and Peru, the Vallenato in Colombia, Trova in Cuba, and urban music of Puerto Rico in the mid-20</span><sup><span>th</span></sup><span> century. The collection also includes five interviews from prominent and up-and-coming musicians —Ruben Blades, Roy Brown, Habana Abierta, Ana Tijoux, and Mare— representing a variety of musical genres and political issues in Central America, the Caribbean, South America, and Mexico.</span></span></span>
<span><span><span>Politics and music are intertwined in this study of different musical forms in Latin America from the twentieth century to the present as scholars from diverse disciplines analyze various musical genres contextualized by moments of political importance in Latin America. Interviews of prominent and up-and-coming musicians from Latin America discuss how the personal is actually political.</span></span></span>
<span><span><span>Introduction</span></span><br><span><span>Lauren Shaw</span></span><br><span></span><br><span><span>Part I: Music and Agency </span></span><br><span></span><br><span><span>Chapter 1: Singing the City, Documenting Modernization: Cortijo y su combo and the Insertion of the Urban in 1950s Puerto Rican Culture</span></span><br><span><span>Carmelo Esterrich</span></span><br><span><span> </span></span><br><span><span>Chapter 2: Shattering Myths: Brazil: Brazil’s </span><span>Tropicália</span><span> Movement</span></span><br><span><span>John R. Baldwin and Phillip J. Chidester</span></span><br><span></span><br><span><span>Chapter 3: The Mockingbird Still Calls for Arlen: Central American Songs of Rebellion, 1970-2010</span></span><br><span><span>Juan Carlos Ureña</span></span><br><span></span><br><span><span>Chapter 4: Social Denunciation of the Politics of Fear: Rock Music through the Eighties in Argentina, Chile and Peru</span></span><br><span><span>Lisette Balabarca</span></span><br><span><span> </span></span><br><span><span>Chapter 5: The Politics of Language, Class, and Nation in Mexico’s </span><span>Rock en español</span><span> Movement</span></span><br><span><span>Ignacio Corona</span></span><br><span></span><br><span><span>Chapter 6: Witnessing Forced Internal Displacement in Colombia Through Vallenato Music</span></span><br><span><span>Diana Rodríguez Quevedo</span></span><br><span></span><br><span><span>Chapter 7: Rich Poetry: Cuban Voices of Possibility</span></span><br><span><span>Lauren Shaw</span></span><br><span></span><br><span><span>Part II: Conversations on Music and Social Change</span></span><br><span></span><br><span><span>Ruben Blades</span><span>, New York City</span></span><br><span></span><br><span><span>Habana Abierta</span><span>, Madrid</span></span><br><span></span><br><span><span>Roy Brown</span><span>, Mayagüez, </span></span><br><span></span><br><span><span>Ana Tijoux</span><span>, </span><span>Boston</span></span><br><span></span><br><span><span>Mare Advertencia Lirika</span><span>, Oaxaca via Skype</span></span></span>
<span><span><span>Lauren Shaw</span><span> is an associate professor of Spanish at Elmira College where she teaches Hispanic Studies in the Romance Language Program and hosts a Spanish language radio program called </span><span>Voces</span><span>.</span></span></span>
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